by Paul Buhle
It Walks in Beauty: Selected Prose of Chandler Davis. Edited and with an introduction by Josh Lukin. Seattle: Aqueduct Press, 2010. 358pp, $19.95 pbk.
(Swans - January 17, 2011) Chandler Davis, octogenarian, HUAC and campus red scare victim, civil libertarian radical and scientist, was also a promising science fiction writer of the 1940s-50s, before he gave it up for other pursuits. The recovery of some of his best fiction recalls a world of left-wing SciFi now long forgotten, but never irrelevant for the gloomy reality of our present.
A little history here. Socialist champion Jack London, Populist champion Ignatius Donnelly, and a forgotten pulp star writer George Allen England all made themselves famous and a little prosperous with predictions of world war and associated disasters that happened, though not with sweeping results for Americans, after 1914. Fascism did come, at least in Europe, and thanks to Woodrow Wilson's Great Red Scare of 1919-21, London's Iron Heel got some details right or at least more nearly accurate than the optimists of the day. Drop down to the Depression era and the Futurion Club of rabidly radical teens in Manhattan, including Isaac Asimov, hoped for socialism as the scientific society of the future, but feared it would not happen. In the McCarthy Era, EC Comics' Science Fiction lines wonderfully caught the popular dread of nuclear war (and after), a view elaborated with brilliance by a Berkeley dropout and record store clerk of the day, one Philip K. Dick.
Of course, there was much, much more to critical or subversive science fiction as literature, films, comics, radio, and television. The moon landing reputedly killed off the bulk of the pulp magazines that had carried the most short fiction, and the easing of the Cold War pushed back the Doomsday nuclear intimations. Famed feminist SciFi (Ursula LeGuin and so many others), socialist outer space adventure (Kim Stanley Robinson), and so on, not to mention the cult SciFi films following the success of Planet of the Apes (the original film actually written by a victim of the blacklist, Michael Wilson, hiding behind a novelist who could not write in English), had meanwhile made major headway. Notwithstanding, that is, the endless Space Opera (Star Wars, etc.) vehicles, most recently shifting into 3-D.
Chandler Davis is placed nicely in the volume under review, the more nicely for an extended 2003 interview where he discusses his family background (father Horace B. Davis was a noted socialist intellectual), his avid teenage reading of SciFi mags, and his entry into the Manhattan circle that survived wartime and postwar engagements and disengagements. Science fiction readers my age would remember, among this group, writers Fredrick Pohl (now ninety and still writing!), James Blish, and Theodore Sturgeon, among others. This group, eclectically radical, got him going and kept him going (Pohl was his agent for a decade) until he was blacklisted -- and a few years after. By 1959, when left-wing ideas came back into fashion and he was nominated for an award (for the story that gives this volume its name), he was about finished with fiction. Thereafter, it was science in exile -- he left the U.S. for Canada -- and political engagements in the university.
Davis's SciFi stories here stand the test of time; perhaps they have a horror or gothic/fantasy twist that saves them from technological outdatedness. The story of the title was published in 1958 but in a different form; this is the original, and no doubt the best version, about a future where much else may have changed but women are most likely still a slice of meat for the male gaze, and the more intelligent they are, the less they like it. Davis could have predicted thongs.
Much of the rest of the volume is non-fiction, including an extended interview with Davis from 2003, a recollection (in 1995) of the blacklist years in academic life, several introductory-like essays and an afterword by the editor, Josh Lukin. One might say that Davis is a fellow of so many parts, they don't all seem to fit in a single volume. But a remarkable life led, stories told, make for a fine volume.
Correction: Due to a typographic error the name of Professor Chandler Davis was referred to as "Chandler Harris." We thank Ann Keefer, Project Coordinator, Temple University Institute on Disabilities, for alerting us. (Correction made on January 18, 2011.) - ed.
If you find Paul Buhle's work valuable, please consider helping us
Feel free to insert a link to this work on your Web site or to disseminate its URL on your favorite lists, quoting the first paragraph or providing a summary. However, DO NOT steal, scavenge, or repost this work on the Web or any electronic media. Inlining, mirroring, and framing are expressly prohibited. Pulp re-publishing is welcome -- please contact the publisher. This material is copyrighted, © Paul Buhle 2011. All rights reserved.
Have your say
Do you wish to share your opinion? We invite your comments. E-mail the Editor. Please include your full name, address and phone number (the city, state/country where you reside is paramount information). When/if we publish your opinion we will only include your name, city, state, and country.
About the Author
Paul Buhle retired from college teaching to produce radical comics fulltime. His latest include Studs Terkel's Working, A Graphic Adaptation [reviewed in these pages], The Beats, A People's History of the American Empire (aka an adaptation of Howard Zinn's classic) and a pictorial biography of his childhood hero, The Art of Harvey Kurtzman. Buhle is working on his ninth comic book. (back)